The Last Resort: Greetings From (Import)

Midland spent the pandemic exploring their creative depths, from progressive Country that grew out of “Urban Cowboy” through Dwight Yoakam’s post-traditionalism, and arrive with their third studio album.

For the footloose trio who’s logged several hundred thousand miles, it’s a soundtrack for people seceding from the grind, wanting more out of doing less, and believing in the heroics that made the original Outlaws strong compasses for almost a half century.